Spoilers already said uncle.

Portraying power balance on film relying on performance rather than visual cues is one of the best decisions you make. As it happens this film shines by depicting it entirely through the strength of dialog and acting prowess. You’ll have to witness it by yourself to believe it, as it’s going to be difficult to do it justice. I’m just so glad that this movie exceeded my expectations.

(Credit: Neon)

Sanctuary (2022) is directed by Zachary Wigon and written by Micah Bloomberg. Hal Porterfield (Christopher Abbott) is about to take the position of CEO of a national hotel chain founded by his father. As he waits in an expensive suite, he receives the visit of Rebecca (Margaret Qualley) to discuss the transition… Until we learn that Rebecca is actually a dominatrix playing a role according to Hal’s request. What initially transpires is one of their sessions, establishing a power dynamic that will be challenged the moment that Hal tries to end their agreement.

This is one film that takes places almost exclusively in a single set, a chamber piece as they’re usually known. However, this does not make this film simple by any stretch of the imagination. What we get is literal balance of power duel made of roleplay, reality, class struggle and character. Don’t expect any whips and chains to show up. Instead, it’s Margaret Qualley and her outstanding performance of Rebecca that cuts through steel. Her acting is definitely the strongest reason to watch this film.

It works like clockwork. The camera work is smooth, with inventive angles and solid cinematography to boot. The dialog complements the storytelling, showing off the sharp wit and tongue of each character as they embark on a struggle to get the upper hand. The twists here are not about unexpected reveals but on impulsive life choices. It all goes from polite to worst to a satisfying conclusion that might leave some casual moviegoers wondering. You can’t really miss a minute of runtime.

Extremely recommended. I haven’t seen storytelling so tight and dialog so sharp in a long time. The performances alone are worth the ticket with Margaret Qualley being the breakthrough act. Worth a watch and even more.

That will do for now.